Reclaiming Voices: Feminism, Agency, and the Politics of Representation
Articles

Deconstructing the Male Gaze: A Critical Study of Female Perspective in Theory and Practice

Shreyoshi Dhar
Swami Vivekananda University
Bio

Published 2025-11-21

How to Cite

Dhar, Shreyoshi. “Deconstructing the Male Gaze: A Critical Study of Female Perspective in Theory and Practice”. Swami Vivekananda University Press, Nov. 2025, pp. 34-40, https://swamivivekanandauniversitypress.com/index.php/svup/article/view/28.

Abstract

The idea of the “male gaze” was initially conceived in the context of the media, but later found its way into social, literary and cultural criticism. In the media, women are portrayed as objects of visual pleasure, with an emphasis on their physical attractiveness and portraying them from a heterosexual male perspective. As a result, women often become passive subjects for male consumption, reinforcing gender stereotypes and inequality in representation. Based on the same theory, the concept of the “female gaze” was developed, which, when applied to media and literary contexts, focuses on the representation of men and women through a lens that foregrounds subjectivity, desire, and female agency. It portrays male characters with emotional depth and explores themes of intimacy and relationships from a perspective that resonates with women’s experiences. In contrast to the male gaze, which objectifies and commodifies women, the female gaze seeks to humanize and celebrate different expressions of masculinity while challenging traditional gender roles and stereotypes. Through nuanced storytelling and character development, the female gaze aims to empower and validate women’s perspectives in cultural narratives. This article demonstrates the theory of the “female gaze” and its relevance in the modern world.

DOI - https://doi.org/10.65525/SVUP.9788199392083.2025.34-40.